This was a revolutionary concept driven by a desire for innovation and to tour the world. “Daniel came with me, and we cast a couple of friends to do our first show.”Ī defining moment for Éloize was to bring acrobatics and circus performance into proscenium theatre. Returning to the island where he grew up, he met Daniel Cyr, who would go on to be the inventor of the acrobatic Cyr Wheel and a co-founder of Cirque Éloize. “From that point, it was clear to me that I wanted to do my own circus.” A defining moment “That is the context in which it all started,” he explains.įrom there, studying at the National Circus School, travelling in Europe, and discovering Avignon Theatre Festival all contributed to his desire to create a circus. Poised between the Baby Boomers and Generation X, Painchaud fused hippy vibes with a longing to conquer the world. I travelled in Europe, on the Cote d’Azur and St Tropez doing some juggling and acrobatics, sleeping on the beach, and passing the hat, very much part of the counterculture vibe of the late 80s in Europe that created the movement of the street festivals, rocking the frontier of the different art forms.” Shortly afterwards, he started doing street shows in Montreal. Rain touring show, 2004 Image credit Dominique Gaul This was my life – I wanted to run away with the circus. “Three months later, I discovered – also by accident – the National Circus School in Montreal. He discovered, quite by accident, Cirque du Soleil’s first official production in the summer of 1984: It was my desire to travel that made me dive into the world of performing arts.” “My goal was to get off the island and to see what was beyond the horizon. Painchaud grew up on a tiny island, part of the Magdalen Islands off the coast of Quebec. The company focus on creating bespoke, tailor-made concepts and delivering memorable performances that play out on the frontiers of technology and art, poetry and performance. ![]() We want to capture people’s attention, but the real challenge is to capture their heart and soul.” ![]() What we do is about alchemy more than chemistry. ![]() “What sets us apart is our ability to truly captivate and connect with our audiences in an intimate, human way, delivering shows of deep, lasting meaning. Jeannot Painchaud, the visionary at the heart of Cirque Éloize, has leveraged a fusion of creative vision and pragmatism to build a company characterized by dynamism and flexibility, as well as its trademark spectacle and technical expertise.īuilding on that success, Painchaud has transformed Cirque Éloize into a multidisciplinary powerhouse specialising in large-scale performances and major events augmented by technical innovation and visual effects.ĭefining the elements that make Cirque Éloize unique, Painchaud says: Since 2017, with the introduction of NEZHA, The pirate child, a permanent nighttime outdoor live and multimedia show with a state-of-the-art rotating bleacher offering sceneries at 360°, the company has launched ambitious diversification plan, broadening its reach in fields such as destinations (theme parks, resorts, cruise lines, hotels) and special events (ceremonies, one-off celebration, festivals) to develop bespoke shows. However, Éloize is not a new player in the ceremonies field – its experience in large-scale sporting events dates back to its work on the Torino Winter Olympics in 2006.Īlongside diversification, Cirque Éloize is adopting technology, creating shows that evoke emotion and wonder through a fusion of live performances with multimedia tech. ![]() Over the last 30 years, the innovative and diverse company has toured all over the world, building its reputation on iconic touring shows such as Excentricus (1997), Nomade (2002), Rain (2004), Nebbia (2007), ID (2009), Cirkopolis (2012), Saloon (2016), and Hotel (2018), attracting more than 5 million visitors across 60 countries, and 600 cities. Since that point, they have continued to push the boundaries of contemporary circus and live entertainment through creative diversification. Image credit Fabio H BriticaĬirque Éloize was a pioneer for the ‘new circus’ era in the 80s and 90s, leading the way in bringing circus from the Big Top to proscenium theatre venues, democratising and driving the evolution of contemporary circus.
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